Negative Disney characters. Villains disney. different from cartoon - fan party

The film always emphasizes the ridiculous aspirations of this, a kind of Bridget Jones from the great north, who, although attractive, can not fight with her sister's mega class, retreats in an ice castle with a gorgeous Snowy setting. It's really bad that there are songs. Bambi exhaustively examines the joys and torments of a normal life: birth, learning, discovery of others, love, death. More than sixty years after its release, if there is something that Bambi can reproach, it certainly is not his schedule, but rather surprising quality, but perhaps more slowness in the course of events.

We sometimes feel that we are watching a film at a slow pace, losing ourselves in the contemplation of nature, which has become obsolete from the frenetic rhythm of the current productions. Pinocchio Pinocchio - this is only the second animation feature of Disney, but it is one of the most pessimistic. Life is a real whore for Pinocchio: almost all the people he crosses on his way want evil, and every misdemeanor ends with a terrible punishment. Does he dry school? The cracked puppeteer aggravates it in his caravan. He's lying? his nose immediately turns into a branch of the throne.

Does he bring too much for a well-watered evening? all his friends turn into ass. He goes home after all these misadventures? his father is no more, he was eaten by a whale. Pinocchio is an initiative journey, which is most troublesome, cruel apprenticeship of life, and the strength is to note that this is when Disney people do not spare their characters, they are the best. Cinderella. The common thread between the characters to Cinderella was undoubtedly their inability to assert themselves as individuals.

Cinderella is not from this race, she is the first to express herself, to rise, not to obey, to struggle to lose her oppressed state. Well, obviously, the only dream of Cinderella is to marry the prince, anyone, and to be the star of evenings in dresses shining with thousands of lights, we do not do this. As for the songs, they are reduced to a limited number, which is really the first quality of this Disney, worshiping rightly.

Pocahontas Pocahontas depicts an inconceivable tendency for beautiful, independent girls and the body of dreams to enlist the Bellaites and the Kichi. Indeed, one wonders what this John Smith finds. The main mistake of the film, perhaps, is his complete lack of ridicule, which conveys a message of tolerance and openness for a rather tedious lesson.

Cusco, the imperial megast A year after the disastrous Disney dinosaur, finally, Kuzko seems to understand his time and produced his first postmodern film. Here the depth of the characters or the confidence in the situations are no longer used, everything is a pretext for revealing the maximum of the gags in eighty minutes in an unchecked rhythm, ignoring the meaning and sequence of the film. Kuzko's character leads to the fact that this brothel is completely disorganized, pretending that he lives in dangerous situations, but it seems so conscious that he is the character of the film, which he addresses almost directly to the viewer.

As Andrey Manukyan would say: a wonderful energy. Tarzan. What if Tarzan was a remake of Pocahontas? The step is the same: a man raised in an autarkic community in the heart of nature falls in love with a man from an external group threatening his community. Her family opposes her union, but love is stronger, and so on. In the genre, Tarzan does not protect himself badly by comparing Pocahontas in the beauty of sets and surpassing him in the fluidity of animations enriched by the magnificent movements of the "camera": scenes in which Tarzan follows a tree, thanks to impossible tracking, rather pleasant, should be said.

On the other hand, Phil Collins did better. Beauty and the Beast The locked door in the castle is 10 straight glasses, but when it comes to the love story between a beautiful girl and a giant lion-yak, it's a jackpot. Again, the cups that are said are not counted on a scale. All the fantastic images of Disney unfold through the completely disguised history of this girl imprisoned by a monster and gradually developing to her especially advanced syndrome of Stockholm. The whole ambiguity of the film, its weakness and strength at the same time, is that it never ceases to preach demagogic morality, which ultimately completely destroys: "physical things are small, inner beauty is the most important" an hour before the conclusion by reunification in matrimonial bed super beautiful girl and super nice guy.

In this case, the chicken is a fish. All this is said by strong songs, which this time are quite successful, and we smoothly reach the place of the final battle, very cool. There was a great Disney period. And especially the second role that makes locks carried out here by the unstoppable Robin Williams in the technique of lamps, today is the best assistant in the history of Disney.

The Aladdin fairy tale is an ideal support for the deployment of such heavy artillery, in pleasant and sunny decorations, a continuous invitation to sail. The jungle book. To see the "Jungle Book" as an adult, you understand how rudimentary is the animation. There are no insects, no noise around, almost no danger, fixed and a few ornaments create the impression of presence in the play, where the pictures alternate: panther, elephants, merry bear, etc. but it does not matter, we must admit that the optimism and vivacity of the film outweigh the feeling of immobility.

He fails on Earth after he escaped from intergalactic justice and managed to pass for a pet with a little girl as disgusting as he. The success of the film is explained by the fact that Disney never departs from the idea that his character is wild, cruel and selfish at the root. Of course, he will never be killed by Lilo with claws, but he never doubts his inclination to do this when he no longer needs it. A bad spirit refreshes between two marshmallows. Ralph's Worlds When Disney pretends to be interested in the phenomena of its era, attacking the world of video games, one can expect that a tribute to the ultra-references to the classics of the genre, the abundance of guest stars, winks disrespectful, Mario cameo in brief.

Of course, this is not the case for legal issues; only the opening scene showing the meeting of bad guys in alcoholic anonymous mode seems to satisfy the mandatory passage of frontal reverence, everything else is very reserved. And yet he is a quality outsider in a large gallery of Disney characters. The free adaptation of Sherlock Holmes, whose hero he is, is very nice to follow, ingeniously, well rhythmically, quite amusing. One follows the adventures of Judy, a provincial rabbit moving to the capital to become a policeman, ignoring the offer he made to take on the carrots of his parents.

Then she discovers the power of stereotypes, and especially those of which she will become the subject of two titles as a woman and a rabbit. achieves a rather rare comic effectiveness when he plays with the characteristics of each species while at the same time balancing the idea of ​​an all-powerful character, representing people who have their own characteristics, such as a tiny godmother or a policeman, the embodied tiger is not at all a courageous admirer of Shakira.

On the occasion of a good speech about prejudice and discrimination, which seem to be directly addressed to the children of Donald Trump's voters, even sometimes rehearse a little. Eddie Murphy doubled to perfection, traveling with Musha, a small, cheerful little dragon. But especially Mulan - the first heroine of Disney, to think about something other than guys and marriage. Her sick father must be sent to the army, and to protect him, she decides to take her place. Circumstances require that he put himself in the position of the hero, the true one, who owns the sword and who saves his country.

A small revolution, presenting Judy with great zeal. Here, when the characters start to sing, it's not at any time, like without warning. When singing, you need to sing. Beautiful, ranked number 2, when a child comes into the house, he has no one to trust, and because of this he begins to sing. When the later perverted cats of the old aunt settle in the house to make the law, the song they embody materializes the longing that causes the poor bitch.

Belle sees that his bourgeois life does not ideally ideally run away from his house and will meet the dog from the first friendly person who will offer him the opening of the world. Eventually, Belle returns to her home and imposes Clochard on her return to normal, a vision of life very much 50 years, a little narrow. Volt, the star, despite the fact that this is the most indisputable film about the production of Disney in recent years. Volt tells the story of a canine actor specializing in action movies. He played a superhero to stop the escapades of an international feline conspiracy.

Only this brave beast does not realize his comedian status at all and believes that he is a real hero, though it is hidden from him in the manner of Jim Carrey's character in the Truman show. After each shooting, he goes straight to the caravan, locked from the place where he appears only the next day to shoot his next scene. But on that day, when the Volt manages to escape from the film, where he is locked up and in bad circumstances at the other end of the United States, the real world will be imposed upon him. In general, we judge road movies with the quality of the characters met by the hero, and in this area it is difficult to do better than Volta's, it's all the more ridiculous than others, especially the hilarious rhino, a hamster locked in a plastic exercise ball and a fan of war movies, amazed that he met his idol and was glad to be able to give him a hand in his mission.

The Volt, like the Truman show, and like any good film, brews, not imposing them from many interesting topics that he considers modern and intelligent. Each metamorphosis allows them to re-open the world from a new perspective: we discover what happens under the water, in the air or on trees with the eyes of fish, owls or squirrels, through ridiculous, ingenious, touching sequences. But this law is applicable and, probably, first of all, to animated films. Almost all his films are characterized by the ancient and always present antithesis of good and evil, because the villain is always fascinated and has ageless estates or social caste.