Reese character romeo quotes. Romeo: characteristics of the Shakespearean hero, features and interesting facts

Romeo and Juliet is one of the most interesting works of William Shakespeare. The tragic love of the main characters Romeo and Juliet, described by the English playwright, still causes unprecedented popularity among readers. The enmity of two wealthy families, who have been at war for several centuries, is finally ending. It ended thanks to the great and pure love of two young hearts who, by an absurd accident, left this world. The real feelings that the heroes carried through many hardships and hardships ultimately brought the long-awaited peace to families.

Characteristics of the heroes of "Romeo and Juliet"

main characters

Minor characters

Romeo and Juliet are heroes who showed the world what true love is. All of Shakespeare's stories are saturated with human experiences and tragedy. The play "Romeo and Juliet" was also included in this list. The characteristics of these characters make it clear that, despite their age, people have different views and thinking. The description of the plot and images of the heroes is briefly presented.

Romeo and Juliet

ROMEO and JULIET (eng. Romeo and Juliet) - the heroes of the tragedy by William Shakespeare "Romeo and Juliet" (1595), who have become forever a symbol of the beautiful, but tragic love of two young creatures, separated by an irreparably age-old enmity of the family clans to which they belong: Montagues (Romeo) and Capu-letti (Juliet). These names are mentioned in Dante's Divine Comedy. Subsequently, the story of two lovers was developed many times in the Italian literature of the Renaissance; the names of Romeo and Juliet first appear in the "History of Two Noble Lovers" by Luigi da Porto (c. 1524), where the action takes place in Verona. From da Porto, the plot passed to other writers, in particular to Matteo Bandello (1554), whose short story served as the basis for Arthur Brook's poem Romeo and Juliet (1562), which, in turn, became the main, if not the only, source Shakespeare's tragedy. However, as always, Shakespeare poured new wine into the old wineskins. Brooke, portraying his heroes in love, not without sympathy, is nevertheless inclined to a languid moralizing and preaching obedience, moderation and humility in the face of hostile circumstances. For him, the love of Romeo and Juliet, if not a sin, then at least a certain excess and delusion, for which they are well-deserved punishment. Shakespeare approached this story quite differently. His Renaissance ideal of great love, which turns out to be above family prejudices, above age-old hatred, seemingly irresistibly separating the two young offspring of warring clans - and today is perceived absolutely modern, without discounts for those four centuries that separate us from the moment the play was created. The action of Shakespeare's tragedy is packed into five days, during which all the events of the play take place: from the initial one to the fatal one! - the meeting of Romeo and Juliet at the ball in the house of Ka-puletti before their sad death in the family crypt of the Capulet. Shakespeare's heroes are very young, but the depth of the feeling that struck them makes them adults beyond their years. However, in this sense they are quite different. Romeo at the beginning of the play is naive, he languidly toils from falling in love with a certain Rosalind. (Unlike Brook, who makes her an active character and builds a lasting action around her and Romeo, Shakespeare does not bring her on stage at all.) Around Romeo, there is a whole company of like him, young men (Mercutio, Benvolio), and he conducts his time as it should be in his years: idly staggering, sighing languidly and doing nothing. Juliet, from the very beginning, from her first appearance, amazes not only with the purity and charm of a flourishing youth, but also with childish depth, a tragic sense of being. She is older than Romeo. He, having fallen in love with Juliet, gradually realizes how serious and difficult everything that happens between them and how many obstacles are in their way, and, as it were, grows up to her, turning from an ordinary young womanizer into a passionately loving and ready for anything for the sake of this love “not a boy, but my husband. " The love of Romeo and Juliet is not just a violation of family prohibitions - it is an open challenge thrown by them to the age-old tradition of hatred - the hatred with which numerous Montagues and Capulets were born and died over many generations, on which almost the state foundations of Verona were based. Therefore, everyone is so frightened by the recklessness and depth of the feeling that gripped Romeo and Juliet, that is why they try so hard to separate them. For their love, their union undermines the foundations, violates what cannot be violated. Despite their youth and carelessness, despite all the boyish dashingness of Romeo and the girlish spontaneity of Juliet, they almost from the very beginning know the pre-outline of the finale. "My soul is full of gloomy forebodings!" - says Juliet, looking after the exiled Romeo. The power and transcendence of their passion, the finality of their decision and reckless determination to everything, including death, shock even the one who, it would seem, understands them and not only sympathizes with them, but also contributes in every way - Father Lorenzo: “ The end of such passions is terrible, // And death awaits them in the midst of triumph. " The first production of the play took place, presumably, at the Curtina Theater in London. Among the famous performers of the role of Romeo in the English theater - David Garrick (1750), C. Camble (1805), C. Macready (1810), E. Keane (1817), in 1882 the tragedy was staged at the Lyceum Theater, directed by Henry Irving (Irving - Romeo, E. Terry - Juliet), in 1884 the role of Juliet was played by Stella Patrick Campbell. In the 20th century, A. Mo-Issi (staged by M. Reinhardt, 1907) became an outstanding performer of the role of Romeo. In the English theater Romeo - John Gielgud, Juliet - Adele Dixon (1929); Romeo and Mercutio - alternately J. Gielgud and Laurence Olivier, Juliet - Peggy Ashcroft (1935). In 1940 L. Olivier and Vivien Leigh performed in New York. The famous performer of the role of Juliet in the 1970s. became Dorothy Tutin. On the Russian stage, in the role of Romeo, as in many other roles, P.S. Mo-chalov (Maly Theater, 1824) and V.A. Karatygin (Alexandria Theater, 1841) competed. In 1881, Juliet was played by M.N. Ermolov (Romeo - A.P. Lensky). The performances of the 1921 Chamber Theater directed by A. Ya.Tairov (Juliet - A.G. Koonen, Romeo - N.M. Tsereteli) and the Theater of the Revolution of 1935 staged by A.D. Popov (Juliet - M.I.Babanov, Romeo - M.F. Astangov), Theater on Malaya Bronnaya 1969, directed by A.V. Efros (Juliet - O.M. Yakovlev, Romeo - A.D. Grachev). The history of the "Verona lovers" continued in the operas by V. Bellini (1830) and C. Gounod (1867), in the fantasy overture and scenes-duets by P. Tchaikovsky (1869), in the dramatic symphony for soloists and orchestra by G. Berlioz ( 1839). Outstanding performers of opera versions of Shakespeare's heroes were Adeline Patti, A.V. Nezhdanova (Juliet) and L.V.Sobinov, S.Ya. Lemeshev (Romeo). For Russian viewers, the image of Juliet is inextricably linked with the name of G.S. Ulanova, who danced this part in S.S. Prokofiev's ballet (1940, choreography by L.M. Lavrovsky). There are also known ballet incarnations of Shakespeare's plot to the music of Tchaikovsky, Berlioz (the latter in the ballet by M. Bejart, 1978). The most famous film adaptation belongs to F. Zeffirelli (1968). A modernized version of the story of Romeo and Juliet, carried over to the 20th century, is the musical film West Side Story (1961).

> Characteristics of the heroes Romeo and Juliet

Characteristics of the hero Romeo

Romeo Montague is the protagonist of William Shakespeare's tragedy “Romeo and Juliet”, a romantic, loving young man, a representative of a noble family in Verona. The Montague family has long been at enmity with another respected family in the city - the Capulet. Romeo and Juliet fall prey to this longstanding feud.

The hero appears to the reader at the very beginning of the work as a naive young man who walks all the time with friends and is in love with a certain absurd beauty named Rosalind. Friends notice that this is contrived love and often tell him about it. He invented an image for himself, elevated it in his own eyes, and having acquired his object of worship, he wants to grow in the eyes of his friends and in his own. Such is Romeo before meeting the fourteen-year-old Juliet Capulet, the daughter of his family's nemesis. His love for Juliet is completely different. This is not an empty hobby, but a real feeling that turned him from a windy youth into an adult, serious person.

This love completely transforms his outlook and elevates him above reality. By nature, Romeo is endowed with a sensitive heart. Trying to get into the holiday to the Capulet, he foresees some hidden misfortune in advance. How he did not try to fight fate, but feelings prevailed. Killing Tybalt in mortal combat, he realizes that he is destroying not only him, but himself. Also, in this fight, Romeo's best friend, Mercutio, dies. When they start looking for him in Verona in order to take revenge, he leaves for Mantua, but when he heard that Juliet drank poison, he suddenly returns. He also decides to take poison in order to rest next to his beloved. Mad with grief, before his death, he kills the innocent Paris, who was promised to be Juliet's suitors.

The author colorfully depicts the tragic life of this hero. In spite of everything, the sympathy of the readers is on his side. However, it becomes clear from the work how destructive passions are and how they can prevail, even over such a bright soul as Romeo.

Send your good work in the knowledge base is simple. Use the form below

Students, graduate students, young scientists who use the knowledge base in their studies and work will be very grateful to you.

Posted on http://www.allbest.ru/

Introduction

Romeo and Juliet, who died in Shakespeare's play so tragically and so early for several centuries, continue to live in works of various types of arts - painting, sculpture, music, theater and cinema. It would hardly be an exaggeration to say that every day they come to life again and again in theatrical performances and ballet performances, on film and television screens, in exhibition and concert halls. And with each such "revival" Shakespeare's heroes acquire new faces and voices, and with them - new shades of their feelings. The ever-growing interest in Shakespeare's tragedy is explained not only by the fact that it depicts love of the rarest power (and probably many dream about such love), but also by the fact that it captures "eternal" values ​​and truths that do not depend on time and space. ...

Light shadows of two faithful lovers find continuous embodiment in the images of poetry and art. From century to century, people try to guess which image best suits their beautiful and ardent souls. At different times, painters and sculptors depicted Veronese lovers in accordance with their own vision and tastes of society.

The relevance of this study is due to the fact that the heroes of the play "Romeo and Juliet" by William Shakespeare, frozen in the pictures, carry their images through the centuries. Each director can interpret them in his own way. At different times in the analysis of a painting or sculpture, we pay attention to different details. And also we find the difference between the vision of a playwright, painter, sculptor and ours. Through the centuries, the angle of view on certain things becomes different.

Of course, this topic has been studied more than once. In this work, these images will be studied from the point of view of a future director, one of whose professional tasks is a detailed study of the material on a painting or sculpture. Acquaintance with the author of the work, the study of the history of the work, the search for artistic images and the psychology of characters, as well as from the standpoint of a creative person who is able to understand, imbued with the experiences of the heroes of the picture in full, to create a stage etude.

The purpose of this work is to study the works of painting and sculpture, find the characteristic features of the characters, and translate them into stage sketches.

The tasks of the work are:

Analysis of works of art;

Search and systematization of visual material;

Study of special literature in the context of the topic;

Compilation of a terminological dictionary;

The work consists of:

Introductions;

Three sections

List of used literature (9 items)

Section 1. Images of Romeo and Juliet based on the play by Shakespeare

“... there is no story sadder in the world than the story of

Romeo and Juliet ... "

At the initial stage of working with paintings, the director must fully study the material. He must familiarize himself with the picture, find its reproductions, black and white, color, small, large, in order to thoroughly know his picture.

In my case, I took several paintings based on the play "Romeo and Juliet" by William Shakespeare. Before studying the paintings, you need to familiarize yourself with the work and its characters, according to which they were written.

romeo juliet image painting

1.1 Juliet Capulet

Juliet Capulet is the main heroine of Shakespeare's tragedy “Romeo and Juliet”, a young girl with the naivete of a child who has changed in the name of love. Juliet belongs to the Capulet family, which has long feuds with the Montague family. She appears at the beginning of the work and appears as a carefree girl, surrounded by the care of her parents, guarded by her cousin Tybalt and her beloved nurse. She treats Juliet like her own daughter and is ready for anything for her. The noble family of the Capulet in Verona is well known and revered.

At the time of the events, Juliet is almost fourteen years old. She does not think about marriage yet, as well as about love. She is always submissive to the will of her father and mother, but everything changes when she meets Romeo Montague. In the soul of the girl, a previously unknown feeling awakens, along with which the mind comes to life. She does not think about which family her lover belongs to, that he is the heir of their mortal enemy. For her, he is just a person whom she loved with all her heart. In the course of the tragedy, the image of Juliet gradually changes from a naive child girl to a mature woman in love. It is she who initiates a secret marriage with Romeo, as a proof of love. After all, this is the only way they can be together.

There is no pretense, licentiousness or feigned virtue in her, she is sincere in her feelings, which she cannot hide, which Romeo immediately admits, but realizing herself, she is afraid that he might regard her impulse as frivolity. She is afraid of giving herself the wrong impression.

Juliet:

“Am I gullible, maybe I seem?

Surely I'm so much in love

What should you think stupid

But I am tougher than many,

Who are playing prudes

I should have been more restrained

But I didn’t know that they would hear me.

Sorry for the ardor and don't take

Direct speeches for ease and accessibility. "

Soon Tybalt dies in a mortal fight with Romeo, for which Juliet's parents decide to take revenge, and also to marry their daughter to Paris.

In desperation, the heroine decides to commit suicide by taking poison. However, the monk Lorenzo recommends that she drink another potion, which immerses in a dream, similar to death, for three days. When Romeo arrives at her tomb, they can escape the city together. However, fate is cruel to these two lovers. Upon learning of the death of his beloved, Romeo returns from Mantua. In Capulet's crypt, he drinks a deadly poison to rest next to Juliet. Waking up, the girl sees the dead body of her beloved and stabs herself with a dagger. Over the bodies of the dead children, the Montagues and Capulet families make peace, thus ending the bloody feud.

1.2 Romeo Montague

Romeo Montague is one of the main characters in the tragedy. At the beginning of the play, this is a young man who is completely absorbed by a contrived passion for Rosalind, a foolish and unapproachable beauty. R. speaks of his love for her with the bitterness and cynicism of a youth: “What is love? Frenzy from frenzy, playing with fire, leading to fire. " However, Romeo stubbornly continues to seek reciprocity from Rosalind, although all his friends do not approve of his choice. Everything suggests that Romeo's passion is artificial, that he invented an object for himself to worship. Why? Most likely, for the reason that nothing attracts him in the surrounding reality. He is indifferent to the enmity between the families of Montague and the Capulet, he is alien to the thirst for victory over the enemy, he hates murder. In this world, he is looking for something that is higher than the world, but his soul is still inexperienced and is ready to take an ordinary hobby for love. Being an ardent and dreamy nature, Romeo, with all the naivety of his youth, tries to warm up in himself a feeling of superficial sympathy, turn it into a flame of all-consuming passion. Shakespeare does not say anything about the reasons prompting Romeo to seek Rosalind's affection, but one can guess that, in essence, he is not looking for love, but self-affirmation, unconsciously hoping that defeating a cold and arrogant girl will help him grow in the eyes of his friends and in their own. With the arrogance of a youth, he pronounces a sentence of love:

“Is love tender? She is rude and angry. / And pricks, and burns like a thorn.

But his angry and pompous speeches are ridiculous, for as soon as he discovers in his soul a genuine feeling for Juliet, he instantly forgets about Rosalind.

This time his love is genuine, not imaginary, for it completely transforms Romeo's attitude. From now on, he sees the world and himself in it with different eyes. Love, raising him above reality, does not separate him from life, on the contrary, brings him closer to it and allows you to see everything in a clear light. Romeo is naturally endowed with a delicate and sensitive heart, he is able to foresee his future. When he, in company with friends and relatives, is about to enter the Capulet's house, disguised for a holiday, he has a vague sense of trouble:

"Something unknown, / That is still hidden in the darkness, / But it will be born from the current ball, / Will untimely shorten my life / The fault of some terrible circumstances."

Romeo tries to fight fate, but passions prevail over him. Even knowing that he is destroying himself, Romeo fights in a duel with Tybalt, Juliet's brother, and kills him, submitting to a blind thirst for revenge, which he himself deeply despises. Shakespeare is not a moralist, and his characters are never either positive or negative. Romeo, although against his will, becomes the cause of the death of Mercutio, whom Tybalt mortally wounds from under his hand. Before drinking the poison at Juliet's grave, Romeo, distraught with grief, accepts Paris's challenge and kills an innocent youth. The reader's sympathies are undoubtedly on the side of Romeo, but the author, drawing the tragic path of his life, shows how destructive passions are and how they are powerful even over such a bright and exalted soul.

Conclusion to section 1

Having studied in detail the images of Romeo and Juliet You can summarize:

Romeo and Juliet - for the whole world, their names are a symbol of pure and true love that has overcome enmity, hatred and deceit. The beauty of their feelings, the power of their high moral feat are so attractive that for many centuries they continue to delight us with their sincerity and invincible strength. The fire of their hearts warms and comforts us, more and more surprises and inspires hope in us and convinces us that true love exists, it still exists.

Section 2. Images of Romeo and Juliet in painting

"A picture is not a word, it gives one minute, and in this minute everything should be, but no - there is no picture ... I looked, and everything is like Romeo at Juliet and back."

Any work of art can serve as the origin of a director's intention. For my work, I took two works:

Romeo's Farewell to Juliet (Last Kiss) and The Kiss by Francesco Hayez. But before you start working on a sketch, you need to get to know the author of the work and his paintings.

2.1 Biography

The son of a native of France. He was brought up in the house of his mother's sister. Since childhood Hayets drew well, so his uncle gave him as an apprentice to an art restorer. Later he became a student of the painter Francesco Maggiotto, with whom he stayed for three years.

In 1809, Hayez won a competition organized by the Academy of Venice, after which he studied at the Academy of San Luca in Rome for a year. He remained in Rome until 1814, and then moved to Naples, where, on the instructions of Joachim Murat, he created his main work - the painting "Odysseus in the Palace of Alkinoy".

Hayets later went to Milan. There he taught painting for a long time at the Brera Academy, in 1860 he became its director. Currently, the Pinacoteca Brera has the most complete collection of his works.

Hayets worked mainly with religious, historical and mythological subjects. In addition, he was a wonderful portrait painter, many famous people of Italy considered it an honor to pose for Ayets when painting a portrait.

It is difficult to assess the entire creative path traveled by Francesco Hayez, since he often did not sign his works and did not date them.

2.2 Images of Romeo and Juliet in the artist's works

Francesco Hayez is one of the most famous masters of Italian romanticism, in his work he repeatedly turned to literary subjects, creating on their basis truly brilliant works, which are still examples of reading the images presented by famous writers. A native of one of the most romantic places in the world - Venice, the artist devoted all his work to the glorification of the theme of romance and passion, genuine feelings and undisguised emotions. And, of course, a real romantic could not avoid in his work the story of the beautiful and tragic love of two young hearts - Romeo and Juliet.

Many masters have repeatedly turned to Shakespeare's images, and not only in painting - sculptural works depicting the heroes of this tragedy are well known, many composers wrote musical compositions inspired by their love story. And filmmakers simply adore this plot, based on which more than one film has been shot, showing different interpretations of images, settling them in different countries and placing them in different time frames. But the paintings created by Francesco Hayez, painted in the manner of academic historical painting, have become a real embodiment of romanticism in art.

In 1823, the famous Venetian painter, inspired by the collector Giambattista Sommariva, focuses his attention on the theme of Romeo and Juliet. Repeatedly referring to her in the period from 1823 to 1834, Hayetz creates ten versions of the image, of which not all canvases remain in the field of vision today. This: the famous painting "Farewell of Romeo to Juliet (last kiss)".

As usual among people of art, in the image of Juliet, the artist portrayed his beloved - Caroline Dzukki. Being exhibited in the same year in the Brera gallery, the painting caused a scandal due to the excessive verism (realism) with which the artist portrayed the ardent manifestation of the feelings of Shakespeare's lovers.

But the most popular romantic work among all the works of Ayets to this day remains the famous "Kiss". The image of a kiss in this picture contains an even greater, in comparison with the previous plot, sensuality. This impression is achieved thanks to the position of the figures depicted in a passionate embrace, while the faces of the characters are hidden, and all the viewer's attention is focused on meeting their lips. When the picture was exhibited for the first time, it bore the title "Kiss. ​​Episode of youth. Mores of the 14th century". The image of two young lovers in medieval clothes presented in the painting is often used as an artistic symbol of Romeo and Juliet. There are two versions of this picture.

Never before in art has the depiction of a sensual kiss been so successfully interpreted. The image found by the artist was repeatedly reproduced in other works, in particular, in cinema. For example, in Luchino Visconti's film "Feeling" (Senso, 1954), in "Romeo and Juliet" by Franco Zeffirelli (1968).

The public presentation of Ayets' paintings caused great success and immediately inspired a number of artists to display episodes of Shakespeare's tragedy on their canvases.

Hayez also painted three copies of this painting, two of which are in private collections, and the third, where a woman is wearing a white dress, was painted in 1861 for the Mylius family and sold on November 12, 2008 at Sotheby's in London for 780 £ 450

Hayets considered "The Kiss" one of his most important works. In it, he tried to combine such properties of Italian romanticism as naturalism and close attention to sensual love, with the ideal of the Risorgimento - patriotism. The kissing couple is an allusion to Shakespeare's Romeo and Juliet, as well as Renzo and Lucia from Alessandro Manzoni's The Betrothed. In addition, in the characters of the painting, Hayets strove to show the nascent Italian nation. So he combines personal love with love for the homeland in one plot.

The clothes of the heroes and the architecture indicate that the scene takes place in the Middle Ages, but the completely new iconography of the picture and its patriotic message convince the viewer of its modernity. The colors used by the artist allude to the Pombier Pact between Italy and France, which marked the birth of the Italian nation.

The painting was first presented to the public at an exhibition at the Brera Academy in September 1859, three months after the arrival in Milan of Victor Emmanuel II and Napoleon III, commanders of the Franco-Sardinian army that had recently defeated Austrian forces at the Battle of Solferino.

Conclusion to section 2

Fine art fosters spatial imagination, gives samples of compositional and plastic expressiveness, helps to comprehend the language of gestures and movements. The unity of the inner essence and plastic expressiveness determines the completeness of the performance. Understanding the author's style and determining the genre of the work, the most important coordinates of direction.

Paintings in a visual form reveal the laws of style and genre. The artistic and figurative embodiment, the ideas of the playwright in the stage performance are the essence of the director's profession.

The art of mise-en-scène, the charm of the atmosphere, the role of composition - all this is revealed to us in the images of the painters.

After analyzing the picture, the Director can start working on the stage sketch.

Section 3. Images of Romeo and Juliet in sculpture

Scenic sketches are staged not only on the basis of paintings, but also on sculptures. The specifics of the work does not differ in any way from the work on the works of painting. Here you also need to study in detail the author and his work, in what style he worked.

If we talk about the large sculptural incarnations of Romeo and Juliet, then they are not as abundant as all kinds of pictorial fantasies. There is a park sculpture as well as numerous decorative figures of Romeo and Juliet.

In Verona, near the House of Juliet, there is a bronze statue of the heroine, created in 1969 by the Verona sculptor Nereo Costantini. The statue of Juliet (Figure 3) is one of the many works of the sculptor Costantini, who in his work repeatedly turned to the themes of Veronese culture and history, glorified the inhabitants of the city, its traditions and legends in his works.

For the first time, Nereo Costantini turned to Shakespeare's work in 1964, he received an order to create a commemorative medal for the anniversary of Shakespeare (1564-1616). A few years later, the sculptor, on his own initiative, created a statue of the famous Verona heroine from plaster for free. It was cast in bronze at the expense of the Lions Club di Verona, and the cost at that time was about five million lire.

The statue of Juliet was ready by 1968, and the first time before the opening of the Museum of the House of Juliet, she was in the Forti Palace (at that time there was the Gallery of Modern Art). The statue was installed in the courtyard of the House of Juliet in 1972. The plaster model of this statue is kept at the Academy of Fine Arts. them. Cignaroli in Verona, and has recently been used again to create a replica in bronze of the "new" statue of Juliet. Now it is she who we see in the Courtyard of Juliet's House, more durable, bronze thickness up to 1 cm.The previous statue was installed inside the House - Museum after restoration (the right breast could not withstand the abundance of tourists' desires for eternal love, and over time, two holes formed on it) ...

Many wondered why Nereo Costantini portrayed Juliet exactly like that? The prototype for this statue was a real woman named Luisa Bragozzi, a good acquaintance and wife of a friend of Eugene Morando di Custozza. Her bronze portrait was created by Nereo Costantini in the early 60s. Eugene Morando was not only a friend, he was also an amateur student of Costantini, it was he who introduced him to the Lyons Club of Verona in 1967, which sponsored the bronze casting of our famous Juliet.

Copies of this statue are also found in Munich, City Hall Square, and in Chicago, in the square in front of the Shakespeare Theater.

In the St. Petersburg State Hermitage there is a sculpture by Auguste Rodin "Romeo and Juliet" (Figure 4), made in the spirit of the famous subjects: "Eternal Spring" and "The Kiss" (or "Paolo and Francesca").

Rodin managed to capture the moment when the bodies of the lovers merged in a farewell kiss make up one whole. Another second - and Romeo will break the hot embrace, jump off the balcony and hide in the darkness of the night. The sculptor does not give a clear boundary of the form, a clear transition of figures. It creates the impression of an air enveloping the group. The processing of marble is striking - it seems light, weightless and at the same time alive, which is achieved by a combination of various techniques for finishing the surface of the sculpture.

A sculpture of Romeo and Juliet (Figure 5) is also found in Central Park in New York. 1977 work (sculpted by Milton Hebald) depicts Shakespearean lovers in an embrace before a kiss. The human-sized bronze figures of Romeo and Juliet are set on a granite pedestal in front of the Teatro Delacorte entrance.

In 2008, in Bataisk, a small town near Rostov-on-Don, in front of the Palace of Culture, a monument to Romeo and Juliet (Figure 6) was erected by the famous local sculptor Anatoly Sknarin (author of the famous Rostov "Tachanka"). The composition of the bronze sculpture presents as if a frozen scene from the play, the poses of the characters contribute to this impression, and part of the theatrical curtain next to the figure of Romeo, perhaps, it figuratively echoes the curtain behind which, hiding from the noisy crowd, Romeo and Juliet met at the ball in the film Zeffirelli. A reminder of another sculptural image of the heroine is the gesture of Juliet, pressing her left hand to her chest, just like the Verona statue. The original detail of the Batai monument is a rose, which Romeo holds out to a beautiful girl.

Conclusion to section 3

The difficulty of staging sketches on sculptures lies in the fact that sculptures are self-sufficient works and are made in one color. Here you need to think more broadly, find a conflict, the proposed circumstances, study the history of the period when the sculpture was made (in my case, the history of the work), study what colors of clothes were fashionable while talking, come up with a scene, and recreate it on the stage. site. To do this, you need to read as much literature as possible, as well as study the works of painting, because they can help the director work on the sketch.

Conclusion

Paintings and sculptures are the basis for future directors' exercises and sketches. The overarching task is to make future directors love art that is in close contact with the art of directing.

We need an analysis of the painting in order to determine the main event, conflict and atmosphere of the work. Therefore, for your work, you should take the works of the classics.

The director expresses his attitude to life and the current situation in the sketch. Choosing a work, the student is obliged to get acquainted with the life and work of the author, study the era of the work, watch documentaries and much more, which will help to fully study the picture he has chosen. The student must justify why this picture was chosen for work, in the name of which the embodiment of this work will be carried out today.

In working on paintings based on the play "Romeo and Juliet" by William Shakespeare, the student is helped not only by the artist not to go astray, but also by the author of the legendary play, because all events, images of characters and scenes of action are very vividly and accurately described in it.

List of used literature

1. Romeo and Juliet by Joseph Wright, Artfund, accessed March 2011 Article. Translated by Anna Radlova.

2. Z. Civil. From Shakespeare to Shaw, - M .: Enlightenment, 1982

3. William Shakespeare. Romeo and Juliet, - M .: Art, 1958

4. Mikhoels S. Modern stage revelation of the tragic images of Shakespeare. M., 1958

5. Knebel MO On the effective analysis of the play and the role. 3rd ed. - M .: Art, 1982.119 p.

6. Pankova NP Scenic studies on works of painting: A textbook for the course "Directing and the skill of an actor" for students of theatrical universities - M .: GITIS, 1982. 121 p.

7. Based on materials from the magazine: Gallery. Italy-Russia at the crossroads of cultures, 2011

8. Based on the materials of the journal: The tree of knowledge. Art. 2005 year

Posted on Allbest.ur

Similar documents

The history of the creation of the ballet "Romeo and Juliet" is a turning point in the work of Sergei Prokofiev. The main characters, images, their characteristics. Juliet's theme (analysis of form, means of musical expression, methods of presenting musical material).

test, added 04/01/2009


William Shakespeare is a geniusly gifted man of the people who has become the largest literary and theatrical figure. "Shakespeare's Question". Biography of W. Shakespeare. Three stages of the creative path. Romeo and Juliet, Julius Caesar, Hamlet, Henry YIII.

abstract added on 01/15/2008


The origin of the term "gothic". The system of flying buttresses and buttresses, the main features of Gothic architecture, outstanding architectural works of Europe. Gothic direction in painting, sculpture. The relationship between sculpture and architecture in the Gothic.

presentation added on 11/11/2010


Interaction of painting and music in art in different eras. Skills of perception and transmission of the characteristic features of a musical work through the pictorial comprehension of a musical work. General criteria in styles. Batik as an art form, its technique.

term paper added 02/25/2015


Features of building a composition in decorative painting. The main stages of work on the thematic production "Fashion". Methods and techniques for performing a work of art. Knowledge of painting techniques and materials, its use in the design of the environment.

term paper, added 03/01/2014


The definition of the concept, essence and process of landscape painting, which is often used as an important addition to everyday, historical and battle paintings, but can also act as an independent genre. The process of creating a landscape piece.

abstract, added on 08/29/2011


Consideration of the features of identifying the specifics and distinctive features of minimalism in painting and sculpture as a separate aspect of visual culture. General characteristics of the history and stages of development of minimalism in art. Analysis of the activities of P. Stone.

term paper, added 05/25/2015


Portrait as a genre in painting. The history of portrait painting. Portrait in Russian painting. Building the composition of the portrait. Oil painting technique. The basis for painting. Oil art paints and brushes. Color palette and paint mixing.

thesis, added 05/25/2015


"Stroganov Letters" - the Russian school of icon painting of the late 16th century, its features, famous representatives, characteristic works. Division of labor between narrowly specialized icon painters. The beauty, melody and poetry of the landscape of church painting.

abstract, added 05/09/2011


Creativity of Venetsianov's students in the history of Russian art. Romanticism in Russian painting. Development in portrait painting of the second half of the 19th century. M. Vorobiev and his school. Ivanov's works of the academic period. Widespread illustration.

In this article, we will look at a character in Shakespeare's play and characterize Romeo. The well-known hero of a touching play about love carries a very great meaning not only within the framework of the work, but also within the framework of the entire literature of William Shakespeare.

About the play

Speaking about such a famous work of world classical literature, it should be noted that we really know little about it. The only thing that remains a known fact for everyone is that in the center of the plot are two fifteen-year-olds in love. The names of these two lovers are used today in many works of art. The first of such creations was the play by Luigi da Porto "The Story of Two Noble Lovers", which was published in 1524.

All events of the play take place in the city of Verona. The plot became very popular during the Renaissance. Today we say that the work generally characterizes the mores of that time. In 1554, the story of "Romeo and Juliet" was published, the author of which is Matteo Bandello, and only a few years later, William Shakespeare will create his work, which will turn the story of two lovers into a great and world-famous tragedy.

The plot of the play

In order to give a correct description of Romeo and Juliet, first it is worth remembering the plot of the work.

The play begins with a fight between two servants who serve two noble and warring families - the Capulet and the Montague.

At this moment Romeo appears. He is very saddened that his love for the beautiful girl Rosalina is unrequited. His friends decide to have some fun and persuade Romeo to go to a ball hosted by the Capulet family. Romeo agrees. At the ball he meets the charming Juliet. Feelings immediately appear between the young. Only after a while, the lovers find out that their families are warring parties.

Speaking about the characteristics of Romeo, it should be noted that the guy acts very bravely and courageously when he does not renounce his love, despite the fact that the girl is the daughter of his father's mortal enemy.

One night Romeo comes to Juliet and confesses his love to her. Juliet does not hide her feelings, after which the lovers take vows to each other and decide to secretly get married. They confide in a familiar monk who agrees to the terms of the secret. However, everything does not go as planned: Romeo swears violently with Juliet's brother and kills him in a fit of rage. The guy is expelled from the city.

Tragic death

While Romeo is in exile, Juliet is being prepared to marry a mature and wealthy man. She again comes to the monk for help. He gives her a potion, after drinking which, the girl will fall asleep for two days. According to the plan, all those close to Juliet had to think that the girl had died. This is exactly what the heroine does.

Rumors reach Romeo that his beloved was poisoned and died. He didn’t know that Juliet’s death was just a cunning plan. Romeo goes to the crypts of the Capulet to say goodbye to his beloved forever. Overwhelmed with grief, Romeo meets Juliet's fiancé, kills him. Immediately after that, the guy makes ends with life by drinking poison.

Juliet, awakening from sleep, sees the dead body of her beloved. She is at a loss. The girl realizes that now she has no reason to continue living, and plunges the blade into her heart, thereby going after her beloved Romeo.

After the death of very young lovers, two warring families understand the meaninglessness of their confrontation. The war between them ends.

Characteristics of the main character

Let's start characterizing Romeo with the fact that from the very beginning Ulyam Shakespeare draws his main character as a very inexperienced and stupid young man. Romeo gave himself entirely to his passion for the selfish beauty Rosaline, thinking that this was the love of his life. The guy's friends do not approve of this choice, realizing that this is not love at all, but only imaginary feelings that Romeo himself invented, because he was bored and lonely. The boy is so young that he invents his own love. Looking at this characteristic of Romeo, we can say that the guy needed these feelings for self-affirmation. Having conquered the icy and unapproachable heart of Rosalina, Romeo was able to consider himself a hero who conquered a mountain of unprecedented heights. In this way, he would have raised his authority and would appear to be much higher than he really is.

Meeting true love

Seeing how the hero falls in love with Juliet, we can already give a completely different characterization of Romeo. Now all the falsity disappears from the life of the protagonist. The characterization of Romeo will now be distinguished by the sincerity of feelings, their authenticity. The young man is devoted to his love. In Shakespeare's work, the characterization of Romeo, as we can see, changes dramatically. It is striking how the young boy has a sensitive heart, capable of so much love. If we talk about the characteristics of Romeo and Juliet as a whole, then it will be important to say that lovers are very tender. Both are true to their choice. Despite all the sensitivity that their hearts have, they were able to resist their families for a very long time in order to save their love.

The dark side of Romeo

It is worth noting the downside in the brief description of Romeo: he is quick-tempered and vindictive. He avenged his friend's death by brutally killing Juliet's brother. And when he found out that Juliet had died, he finished off her fiancé, who was generally an innocent person in this situation.

In addition, disregarding all the prohibitions, Romeo came to the city. Naturally, one can understand the meaning of the young man's return - he just wanted to say goodbye forever to the love of his life. But being in critical condition, Romeo still killed another person.

Finally

Studying the work of Shakespeare, it is difficult to call him a moralist. In none of his creations does he show heroes as positive or negative characters. In addition, he does not emphasize appearance. It was much more important for William to show the life path of his characters, which always contained a certain tragedy. This tragedy, as a rule, consisted in the temptation to surrender to all passions and desires. This is exactly what the image of Romeo became: an exalted soul, unable to resist temptations.