A dog from the cartoon of Ariel. The real life of Disney villains. High adaptive capacity

The mermaid returned to her home and told her sisters what had happened. The sisters knew about the prince and his kingdom and took their little sister to show her the prince's house. After that, the Little Mermaid always dreamed of living in the human world. Her grandmother continues to tell her that the Mermaids live sometimes 300 years, and that after their death they become a sea foam. People, however, have a much shorter life span, except when a person dies, their soul lives forever and goes back to heaven.

The mermaid asks her grandmother if the mermaids can have souls and she answers telling her granddaughter that only if she marries a man who loved her more than his own parents and relatives, that part of his soul will go into it and she will have her own soul. It is important to note that the Mermaid not only wants to be with the prince, but will also gladly give up his extended life to have a soul.

One night, when the underwater kingdom has a ball, the Mermaid decides to go to the Sea Witch, hoping to become a man. The sea witch tells her that she is stupid, and that she will only end with her, but the mermaid will survive. The sea witch tells her that in exchange for her ability to speak, she can be human. Nevertheless, every step she takes will be felt like a knife at her feet, and if the prince does not marry her, the morning after his wedding, the Little Mermaid will die and become a sea foam.

The Mermaid agrees, and the Sea Witch takes a knife and cuts out the tongue of the Mermaid. The Prince finds the Little Mermaid and brings her back to her castle, where she is dressed richly. The mermaid starts to dance, despite the fact that she causes her great pain, and she attracts the attention of the prince. The prince wanted her to stay with him always, and the Little Mermaid slept at his door, they rode together in the forest, and she even went up with him to the top of the mountains, was always happy, despite her tender legs, beginning to bleed.

One night, the Mermaid noticed the sisters in the water and beckoned them to her. As soon as they found out their human sister, they told her how much of their family's sadness was that she had left. After that her sisters came every night to visit her, and one evening the mermaid even saw her grandmother - who did not come to the surface for a long time - and her father looked at her from the surface of the ocean. They hurriedly reached out to her, wishing that she would return to them, but they did not reach the ground.

The prince loved the mermaid, but he loved her like a little child. He told her that she was dear to him, but that he was in love with a temple girl who found him on the beach after the wreckage of the ship. He only saw her twice, but he told the Little Mermaid that she almost banished the temple girl from his mind. The Little Mermaid is happy, thinking that she is close to defeating the Prince's heart, but then comes the unexpected.

Prince and Mermaid sailed to another kingdom after his parents forced him to meet his princess. On the way there he tells the mermaid that his parents can not force him to marry the princess, and that he rather marries a mermaid who was so devoted to him. The mermaid grows happier, but when they come to the city, her world - and her heart - is destroyed. The princess is the same girl from the temple who found him on the beach and the prince finally found the girl who saved him. Even a mermaid recognizes that she is the most beautiful thing she has ever looked at.

Mermaid Ariel at Disney Parks

The prince married the princess. The mermaid was even present at the wedding, following the princess, helping her to get on the train. That night, on the ship of the prince, a little mermaid waited, when the sun rises and into imminent death. It was then that she saw her sisters emerge from the depths of the ocean, and all their beautiful hair was cut off. They gave her a dagger, saying that they all brought their hair to the sea witch in exchange for a way to save his sister's life. The Little Mermaid was supposed to wrap it in the heart of the prince, and let his blood drip to her feet, then she would return to the mermaid and live the rest of her life.

The mermaid, holding a knife in her hand, went into the rooms of the prince, where he and his bride slept, and could not muster the strength to kill him. After all, she still loved him so much. She threw the dagger over the side, and when the sun began to rise, she threw herself into the ocean, her body turned to foam.

Interesting facts about the mermaid Ariel!

However, something strange happened, the mermaid began to ascend into the sky. Her body was destroyed, but now she was an ethereal being, and around her there were many other ethereal beings. They explained to the mermaid that, because of her struggle to reach the soul, she became the Daughter of Air. After 300 years of doing good deeds for humanity, the Daughter of Air is rewarded with the soul and receives entrance to the Kingdom of God. However, for every good child they encounter, one year is removed from their service, and for every bad child - one year.

Probably the biggest change from the story to the film is the character of the sea witch. In the story of Andersen, she has no hidden motive. She even advises the mermaids not to pursue the prince. Disney was 100% behind Ursula's character, as well as her motivation and, with the exception of the film's finale, made the Disney version black, much darker than the original material. This is not something you can say too often.

There are quite a few literary scholars who are discussing the end of Anderson's story. They perfectly coped with the fact that the Mermaid was dying and becoming a sea foam, but it seemed to some that the inclusion of Anderson's "Daughters of the Air" was just a cheap trick to manipulate children to behave. The tactics they felt were almost too transparent.

In Disney's version, Ariel was obsessed with the human world before she ever met Eric, and in this story one of her main motives was her desire to get a soul and live in heaven after her death. The tragic story of Hans Christian Andersen "The Little Mermaid" seems to be a metaphorical reflection of a doomed romance that unfolded in the author's own life. Many historians have come to the conclusion that the two men were engaged in love, not just in platonic friendship; their adoring correspondence in letters confirms the credibility of this interpretation.

Like the prince with whom the Loving Mermaid falls in love, Edward Collin also felt pressure from his family to marry the princess. Anyone who read Andersen's original story remembers that the prince decided to marry the princess, not the mermaid.

The fact that the "Little Mermaid" revolves around the silence of her heroine, speaks about the political situation of the era. The silence of Ariel serves as a parallel for Andersen's own situation; he had to keep his mouth shut in his senses, although every moment he had to feel like walking on knives.

Unlike the heroine of a short history, Andersen does not become a sea foam after Colleen married someone else. Did anyone who worked on this film know that they, in fact, are adapting a classic strange tale? It is possible that Disney chose Andersen's love story without knowing its context, but it's possible that some people in the creative team had another interpretation of the "Little Mermaid." In a piece for the Atlantic called It's not just Frozen: Most Disney movies are Pro-Gay, writes Akash Nicholas.

Ashman not only wrote songs for "Beauty and the Beast", but also "Aladdin", he also actively participated in the productions of these films, caste actors and meetings with animators. Ashman worked on "Beauty and the Beast", experiencing the worst phases of his illness, and the composer Alan Menken called the "personal history" of Ashman. The result is a film that can be viewed as an allegory: "Being banished from society, his body is disgusting" was transformed, and his life disappeared, like an enchanted rose, The beast is a figure of a degenerative disease.

Love Bell and the final violation of the curse is a fantasy that Ashman rejected. At first glance, Disney's adaptation does not seem to make any political statement. If you interpret the story in its most literal representation, it actually seems somewhat boring. The heroine of the film, Ariel, seems to be trading one form of patriarchy for another. It seems that her only "progression" in the film is the transition from the vigilant eye of her inspiring father directly to the marriage with the prince, therefore another institutional patriarchal power.

Plus, she hardly knows Prince Eric! She likes only what he represents, what is freedom from her father. But the whole lesson of the film changes completely, if you look at it through the lens of the likely implication of Andersen's story. If we look at Ariel's journey as a strange story about the origin, the film makes much more sense, and it also becomes an impressive feat of metaphorical narrative.

In the version of Disney's story, Ariel's passion for the human world is first presented as something that she can hide from her family. She can pretend that she shares her values ​​and is "normal" for them, but she alone still has feelings for her in private. She wants to be part of the human world, and she watches her from afar, but in addition to innocent curiosity, she has no real reason to leave her family. She also never sees the need to "go out" to her family, not yet. Perhaps she expects that when she grows up, she can continue the traditional mermaid, as her father wants.

Like many people who have sex, Ariel can hope that she can just give herself an appearance, and no one will know that she had other feelings. It all changes when Ariel first sees Eric. To make a literal metaphor, imagine that Eric is the first girl with whom Ariel falls in love. Until now, she could have hidden the fact that she was strange and perhaps even imagined that she might be in direct relation. However, as soon as she falls in love, everything changes for her.

Now she can no longer hide or deny this part of herself. In Disney, Prince Eric has almost no characteristics. It more closely resembles the notion of freedom, rather than a fully conscious character. All that we know about him is that he too avoids the idea of ​​institutional power. He likes to walk with his friends and play the tube, dance and be carefree. Perhaps he is looking for love, but he does not say too much about it. When Ariel appears in his life, it is clear that she is "Single", and their relationship has no internal strife.